Book Censorship News, December 12, 2025


The target? Comics.

Over the next three weeks of Literary Activism’s Friday roundups, we’re going to take a look at the past, present, and future of comics censorship. All three of these posts feature the voices of scholars whose work has included exploring comics and book bans, and they’ll offer insight into why it is this literary format has constantly drawn criticism and condemnation in America–a land that likes to tell a story of being open minded and being a land of free speech and press, but a land where those are indeed stories.

Brian Puaca, Professor of History at Christopher Newport University in Newport News, Virginia, reached out to me earlier this year and shared with me a project he’d been working on called the Comic Book Burnings Project. As the title suggests, it’s a look at how Americans found community through comics burnings in post-war America. It’s an incredible work of scholarship, including timelines, primary sources, maps, and images from this era of nationwide censorship.

Image from Puaca's Comic Book Burnings Project featuring a map of confirmed comic book bannings in the US between 1945 and 1955.

In turn, I asked Professor Puaca if he’d be interested in writing about comics burnings from this era, as it’s both fascinating and infuriating. He not only offered up one post; he had two ideas for topics. This week, the post that’s more on the depressing side. Next week, a more optimistic view of what the history of comics burnings does–and does not–say about contemporary American comics censorship.

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The Seductive Appeal of the Flames: Burning Comic Books in Postwar America

Please stop me if you’ve heard this one before: What did the U.S. Army, Catholic nuns, and African-American PTAs all have in common in 1950s America? They were all burning comic books! Contrary to contemporary popular perceptions of fundamentalist book burners in the Bible-Belt South, Americans from all walks of life destroyed comics in very public events in the decade after World War II. These comic book burnings took place across the entire country, and they were especially concentrated in the Northeast and Upper Midwest. They were held as holiday celebrations such as on Halloween. They were coordinated by local politicians, police officers, and firefighters. And they served as the culmination of cultural events like National Book Week. While few would dispute the deep divisions in American society at the time, it’s clear that burning comic books was something that just about everyone could support.

The war – in which America defeated the most infamous book burners in modern history – ended in September 1945. The first recorded comic book burning occurred less than three months later in central Wisconsin. Organized by parents, teachers, and students at a Catholic school in Wisconsin Rapids, the fire consumed thousands of titles such as Crime Does Not Pay, Miss Victory, Wings, and Batman. The burning of these “condemned” books, as the school’s list referred to them, marked the culmination of National Catholic Book Week. This fire would be the first of more than fifty such burnings over the next decade that would only subside with the arrival of the Comics Code Authority in 1955.

In the years that followed, comic book burnings took place with shocking regularity across the nation. There was at least one such event every year until 1956 with peaks in 1948-49 and 1954-55. They took place in rural areas such as Linton, North Dakota. They occurred in mid-sized towns like Mansfield, Ohio. Suburbanites organized burnings in Scituate, Massachusetts, a short distance outside of Boston. And they were held in cities such as Memphis and Chicago, which had a rash of comic book burnings in 1954.

The zeal among Americans to physically destroy comic books transcended politics, religion, race, class, and age. The Catholic Church played an important role in burning comic books, often referring to lists of unacceptable publications drawn up by the Legion of Decency. Notably, Methodists, Pentecostals, Presbyterians, and Evangelicals were involved with many events as well. Parent Teacher Associations in public schools often organized these gatherings, typically with the support of teachers and students. This includes African-American PTAs in the segregated schools of Virginia and Tennessee, as well as their White counterparts. Boy Scouts and Girl Scouts took part in comic book collection drives that would culminate in burnings. Politicians, women’s organizations, civic groups, school administrators, and local fire and police officials all participated as well. Especially prominent was the American Legion Auxiliary, which founded a book exchange program in 1954. Operation Book Swap, as the program was titled, held events across the nation with several – although certainly not all – ending in burnings. Even the Army took part, incinerating hundreds of thousands of Sad Sack comics that it had commissioned to re-enlist soldiers after a U.S. Senator denounced the book as “socialistic propaganda.”   

The motivations for burning comic books varied across the different groups, but certainly all of them shared a belief that destroying these publications served to protect Americans from dangerous content. By the late 1940s, comic books had become a scapegoat upon which Americans could project all of their Cold War era anxieties: juvenile delinquency, violence, sexual promiscuity, “deviant sexuality,” non-traditional gender roles, and even Communism. Removing these comics from the hands of young readers, however, was not always enough for these groups. Their specific motivations can often be seen in the ceremonial burnings that they held. For example, high school students in Binghamton, New York sang “For Christ the King,” the Catholic Action youth song, as they burned 2,000 comics they had collected. For students in Port Huron, Michigan, it was both a religious and patriotic duty. Hundreds of students sang hymns on the playground and ended with the Star-Spangled Banner while they watched more than 1,000 comics burn. Students in Louisville, Kentucky burned comics as part of their school’s “Civics in Action” club and pledged, as “junior American citizen[s]” not to buy or read comics that would “endanger the safety or goodness of other American citizens.” Events such as these underscore how religion and patriotism combined into a powerful formula for book burning in the early Cold War.

Yet there were other reasons for burning comic books that dated back even further. Prior to 1945, most criticisms of comic books were based on their supposed cultural inferiority. Critics complained that they distracted readers from “better literature.” These views persisted into the postwar period and also played a role in the age of comic book burnings. They even bridged the racial separation of segregated schools. For instance, in November 1954, an all-White elementary school in Newport News, Virginia had a “Book Character Pageant” to model desirable literature, organized a comic book collection drive, and then burned them with a student government officer and the deputy fire chief lighting the blaze. This was the culmination of the school’s celebration of National Book Week. An unconnected but similar event took place that same month just a little more than an hour away in Hopewell, Virginia. Students in the Library Club at the all-Black Carter Woodson High School destroyed “all available ‘trashy’ and ‘obscene’ literature (comics, crime, love, etc.) that wields undesirable influences over younger readers.” Teachers, librarians, students, and parents – Black and White – expressed their cultural disdain for comic books by setting them ablaze.

In conclusion, the wave of comic book burnings in the United States after World War II vividly illustrates the appeal of extreme censorship. Previously the preserve of totalitarian dictatorships of the Right and Left, physically destroying books now became reconciled with upholding American ideals of family, faith, and nation. Groups that few then (or now) would associate with the tactics of dictatorships – the Boy Scouts, the American Legion Auxiliary, 4-H Clubs – adopted these methods for both symbolic and practical purposes. And the response of their fellow citizens? Many Americans joined them; most were complacent. Americans from all walks of life saw no discrepancy between burning comic books and the freedoms they cherished. While burnings are no longer commonplace, the allure of censorship and its compatibility with the agendas of well-intentioned citizens has changed little since the 1950s. One need only read the newspaper to see the continuing relevance of this dark chapter in comics and American history.    

Brian M. Puaca is Professor of History at Christopher Newport University in Newport News, Virginia. He maintains the Comic Book Burnings Project, a digital humanities resource that maps and documents comic book burnings in America after World War II. The site can be visited at: https://arcg.is/PW1yu0. He can be reached at: [email protected].

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For a little more about the legacy of comics censorship in America, dig into this history of the Comics Code Authority, 10 things you may not know about the Comics Code Authority, and this introduction to comics censorship and the titles which have roused book banners in the 2020s.

Book Censorship News: December 15, 2025

Note: this roundup includes news from the week of December 6 as well.

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