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Here\u2019s where I roll up my sleeves and share a little Hollywood backlot magic from my own experience at Boxwood Co<\/strong>.<\/p>\n When Tori Spelling and Dean McDermott signed their reality deal with Oxygen, we worked directly with Tori to make sure she had everything she needed to cart little Liam around on camera. Enter Orbit Baby<\/strong>, the stylish, high-design stroller that quickly became a staple on the show. Over several seasons, it turned into a silent co-star.<\/p>\n But the big TV break? That came with NBC\u2019s The Office<\/em><\/strong><\/a>. The show\u2019s writers were so intrigued by Orbit Baby\u2019s luxury vibe, they wrote it directly into the script. Yes, really. (<\/em>Season 5, Episode 4 – Baby Shower<\/a>) <\/p>\n In one unforgettable episode, Rainn Wilson\u2019s character, Dwight Schrute, becomes so obsessed with the stroller’s status symbol glow that he spends the whole episode trying to destroy it. Spoiler: he fails. We had to supply multiple<\/em> \u201cstunt Orbits\u201d to the production team for the scene – because, you know, when Dwight goes off the rails, props better be ready.<\/p>\n Orbit Baby also showed up on The L Word<\/em>, with characters giving it glowing (and hilariously detailed) on-screen praise during a baby shower scene. That kind of integrated, character-driven exposure? Priceless.<\/p>\n Other placements included Walt Disney Pictures’ Cats & Dogs<\/em><\/strong>, Paramount\u2019s Yours, Mine and Ours<\/em><\/strong>, and Hellboy II<\/strong>\u2014each adding new layers of visibility and pop culture cachet to the brand.<\/p>\n And the results? Let\u2019s just say Orbit Baby went from stylish newcomer to cult favorite real fast.<\/p>\n<\/div>\n